Textual Analysis

For my Textual Analysis, I am comparing the ways in which both films Submarine and LOL present the theme of coming of age. 
Submarine is a 2010 British coming-of-age comedy-drama film directed by Richard Ayoade. The main character Oliver Tate is a fifteen-year-old boy who struggles with school popularity but when he meets a girl he is determined to impress her. Meanwhile his mother’s ex-boyfriend moves in next door, so Oliver tries to ensure his parents stay together. I am comparing this with LOL, a 2012 coming of age comedy-drama-romance film directed and co-written by Lisa Azuelos. Set in a world connected by social networks, Lola Williams and her friends navigate the peer pressures of high school romance and friendship while dodging their sometimes overbearing and confused parents. Both films are challenging the way contemporary adults are seen, which is stereotypically grown up and sensible, whereas they are, in-fact, acting like teenagers. Teenagers are seen as more grown-up than adults, therefore getting the audience to think about how they see different age groups. The directors are suggesting that some teens are more mature than adults. The directors of both films have included a downfall through the narrative to show the audience how difficult it is for teens to turn into adults in spite of the behaviour of their irresponsible parents. However, they are affected in different ways as Oliver Tate is taking responsibility on himself by trying to save his parents’ marriage. Meanwhile in LOL, Lola is trying to figure out her real identity. Submarine and LOL, both include the same aspect of a typical coming-of-age film, which is sex. The only way for a teen to grow up and 'mature' is by losing their virginity, which is evidently shown in both films as it's something that makes someone take that big step from childhood to adulthood.

Teenagers struggle to grow up and become their own people by having freedom of speech, which both films support. One of the scenes in Submarine that shows this idea is when Jill, Oliver’s mother, is talking to Oliver. The scene is set in his bedroom, which symbolises his only place of freedom, and his mother has invaded it. The way the characters are positioned in the frame shows that they are not very close and Oliver wants her to give him personal space. His mother is sitting higher than Oliver, which reinforces her control over him, whereas he is lying down looking vulnerable and under pressure. Likewise, the film LOL has a scene when the main character Lola is in the bathroom with her mother and sister (introduction scene). Lola’s mum is not happy about her ‘grooming choices’ and is not letting Lola have her own independence to do what she likes. The director has set the scene in the bathroom to reinforce the idea that a bathroom is an intimate private place and Lola’s mother is interfering with Lola’s privacy. The dialogue clearly shows that Anne is being the dominant character and Lola doesn’t want to be told what to do. The lighting is mostly shown on Lola and Anne which illustrates that they are the most important characters in the frame and the little sister is just part of the background. The main message that both of the directors are trying to put across is that the control of mothers can make teenagers feel trapped and it’s best to let them grow up at their own pace without treating them like children, by letting them do what they want.

Family members, mostly parents, play a huge part in teens lives but it's not always for good reasons; Parents are depicted in negative ways. The scene in Submarine when Oliver witnesses his mum cheating on his father with her ex-boyfriend clearly conveys this idea. The lighting in the frame is very dark which creates a lurking, ominous feeling and reflects Oliver’s role during this scene as he is technically spying on his mother doing something bad. When it cuts to Oliver’s mum with her ex-boyfriend the flashing lights which reflect on the van turn from blue to red, which could represent the calm atmosphere turning into doomed destiny. Then it cuts to Oliver on his bike, with fireworks edited into the background to reflect how his mind is conflicted and confused with many thoughts of the act he has just witnessed. He has to be the mature grown up character to figure out how to save his parents from splitting up. Likewise, in LOL the scene when Lola hears the conversation between her mother and ex-husband talking reveals that they have also been secretly sneaking around behind Lola’s back. This gives the audience a sense of betrayal. The main prop is her diary, which is a typical object a teenager girl would own and it’s set in her room, which indicates she is the only one that knows. Her facial expressions in the frame suggest how shocked she is by them not telling her about it. The room is messy with shoes and clothes on the floor and she is wearing slouchy clothing with her hair in a messy bun, which the director has done to depict that she physically acts, and looks like a teenager but mentally feels like she is an adult. Both scenes tell the audience that family can affect young people even if they are growing up. Also, some adults may have grown up the irony is that they still act like teenagers as they are sleeping around with people.  

One of the most common aspects of a typical coming-of-age film is sex, which both films include. The scene I am going to talk about in Submarine is chapter 4. During it the viewer finds out that Oliver and Jordana have just had sex, this is because of the mise-en-scene. The scene is set in Oliver’s parents’ house and mostly his own room. This conveys they idea of secrecy and intimacy, and as there are no adults around. This gives Oliver and Jordana freedom to do what they like as they are the only people in the house. Oliver had invited Jordana to have sex with him but she firstly didn't want to do it but in the end they do. The first room they go into is the kitchen, and they have a romantic meal, which is a typical ‘adult like’ date, then cuts to his parents’ bedroom. It’s foreshadowed that something would happen as the colour ‘red’ appeared a lot and many props, such as the bed throw and lights, were red which represents love and romance. The light is low-key and gives the impression that Oliver wants Jordana to be comfortable and a sense of privacy. The director has also done this as when the lights are low in Oliver’s parents’ bedroom he knows they are making love so he wanted to do the same. It then cuts to Oliver lying in his own bedroom, and he is not wearing any clothing on top and the viewer is not quite sure if his wearing any bottoms as it’s not shown but we get the idea he isn’t wearing anything at all. The viewer is informed that Oliver and Jordana have just had sex and have now grown up physically. Likewise, in LOL there is a scene when Lola and Kyle have sex in Paris. The scene is set in a French family’s house. Lola and Kyle are in a single bed when the viewer is revealed to something happening between them as they are the only ones in the room and are wearing underwear. There is little dialogue but it tells the audience a lot as the director has to make sure the viewer knows what is happening; Lola says that it’s her first time and the frame cuts to her mum saying the same thing but says it’s her first time since the divorce. These two different shots are parallel edited as the characters are positioned in the same place and are doing the same thing. The light is also low-key to convey privacy and close intimacy; there is only a bit on light shining on their faces to convey they are the only people in the frame and there is no other important or interesting things for the audience to look at. The micro aspects indicate the key messages that have been put across, which are that teenagers have officially grown up when they loose their virginity. The main message the director has put across in LOL is that adults can get caught up in similar situations at the same time as teens but they don’t actually realise that they can help out one another. So this is in fact collapsing stereotypes of parents and boundaries between teens and adults; this is a post-modern representation which is commonly used in an independent film, but very unlikely for a Hollywood film.

Overall, the two films Submarine and LOL have clear connections and contrasts to present the theme of coming of age through the MACRO elements. The two main characters in Submarine have a strong relationship, which relates to the two main characters Lola and Kyle in LOL. Coming-of-age is portrayed in a different way to how society thinks it would be. This is because teens are depicted as animalistic, whereas in Submarine and LOL they are illustrated as mature people looking for their self-identities and trying to get what they are looking for in life. Adults think that adolescents can never really grow up at such a young age, as they don't know what it's like to have such big responsibilities and be able to make their own choices. Whereas, in LOL, the director is trying to put across that many events that happen are very similar between adults and teens; which is ironic as you wouldn't think they could get caught up in similar situations when they can. My personal opinion concluded would be that it's not easy for adolescent’s to go from being a teenager to a young adult as there will always be something in the way that you will have to overcome to become more independent.

9 Key Frames with Shot Types and explanation

Medium Close-up: I have chosen this shot type to show that there is something wrong with Jordana, and how devastated both of them are. Jordana is wearing a white dressing gown, which instantly informs the audience that there is something wrong with her. The cup of coffee which Oliver is holding shows that they have been waiting a long time, and he needs caffeine to keep him going.

Close-up: This conveys the idea that Oliver and Jordana have been together for a long time, and are very close. The ring also tells us that they are engaged.

Medium Long-shot: This is to show that Jill (Oliver's Mother) has entered the room. You can see that she is holding coffee and a blanket for Jordana. This is illustrating her motherly figure in the film.

Medium Close-up: Here Jill is tucking Jordana into the bed covers. This also shows how she is being motherly and caring.

Medium Close-up: This key frame is showing how Jill is offering Oliver coffee but he already has one. He is angry at her because she is treating him like a child by getting him things he can get himself. This reinforces the theme of coming-of-age, as he doesn't want her buying him things any more as he is older now.

Medium Close-up: This key frame shows that someone is coming in as both Jordana and Oliver are looking in the same direction. The red coat is in the corner which gives the audience a negative image.

Over the shoulder shot: This frame shows how the nurse isn't telling them anything. The red coat is see in the corner which foreshadows that something bad is going to happen. (This is the same as the previous frame).

Close-up: This frame shows how Jordana is suffering and we can tell she will not make it. There is a red light in the background which also conveys the idea that something bad is happening.

Medium Close-up: This frame shows the nurse trying to pull Oliver out of the ward, as Jordana has just died. Oliver is trying to reach out for Jordana but he can't as the nurse isn't letting him. We can clearly see that the woman is a nurse because of her costume. In the corner you can see Jordana's hands and the engagement ring, and Oliver's hand is near it which reinforces their bond and how they have been separated for good because she has gone.

Location Report

This report presents a location of a hospital in Dartford. The location is called Darent Valley Hospital, and is on Darenth Wood Rd, Dartford, Kent DA2 8DA. The scene for my sequel to Submarine will be located in a hospital ward. Therefore, I will need a real hospital or a set which will need to be designed into a hospital ward.

Accessibility:
The location can be entered at street level, through the main entrance doors (shown in the image below), but if you have a vehicle you can park it in one of many different car parks situated on the grounds. Hospital wards are not easily accessible, and there is never usually any spare due to high amounts of injuries/accidents happening.

Contact details:

There are many contact offices, but the main office is the switchboard, and the hospital can be contacted by the following: 

Switchboard: 01322 428100 
Fax: 01322 428259
Email: generalenquiries@dvh.nhs.uk

An alternative way of contacting them is by visiting the hospital and talking to them in person at the main desk.

I have found a local hospital which will be most suitable for the scene, which Jordana and Oliver will be in. This is the only location they will be staying in for the scene.

This is how the scene needs to look, but it will only need to be one of the rooms:

Sound/Lighting:
There will be added noises of people driving and walking across the hospital, but this doesn't matter as the scene will actually be filmed inside the hospital. Although, inside the hospital people will be talking and walking past the ward, and nurses/doctors may enter the room. But the hospital is generally quiet inside.

As my scene is during the night time, I will need to either make the room dark or go to the location during the evening.  This means I will need to arrange a way of turning the lights off and putting my own lamps on. This means I will need extra plugs to plug in the lamps, and they will be the only electricity I will use. Otherwise, I will have to shut the curtains in the ward to make it darker.
The set is suitable for my scene and I will not need to dress up the set to look like a hospital ward as it is already like that. The only props I will need are a blanket, two coffee cups and the actors in their costumes.

Health and Safety issues:
When in the hospital ward, patients/visitors will have to keep their hands clean by using the antibacterial hand wash by the entrance doors. There will be electrical equipment and operating/cleaning tools which should not be touched in the ward, due to hygienic/safety reasons. When the actors sit on the hospital bed, the bed sheets will have to be cleaned after.

This links with my MACRO element, the theme of coming of age, as this place represents a new event for Oliver as he experiencing something new. A hospital is where births and deaths happen, so it means that the old, 'child-like' him is dead, and he is being reborn into a new, mature adult, therefore, reinforcing the theme of coming of age.